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Posts Tagged ‘classical reception’

Once again, I’ve remembered to keep track of the blogs I’ve especially enjoyed over the last year (with the curious exception of April – I don’t know, at this remove, whether I was too busy to read anything, or not much was published, or I was feeling hyper-sniffy at the time so didn’t think there was anything worth recommending. Very happy to get suggestions in the comments of great things that I’ve missed). This doesn’t claim to be a definitive list, just the stuff I came across – often via the Twitter, which continues to be a great way of keeping up with what’s going on in different regions and fields, despite all the management’s efforts to ruin it and drive everyone away – that deserves a more than ephemeral readership… (more…)

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Presumably there are people who specialising in studying the philosophy of the European far right, or even the more specific theme of their appropriation of classical antiquity, as Donna Zuckerberg and others are doing in the US. I wonder how they prevent their brains dribbling out of their ears on a regular basis. (more…)

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So, when I announced my Exeter inaugural lecture a few weeks ago, I was persuaded to arrange for it to be recorded, for everyone who wasn’t in a position to trek down to Devon on a Thursday evening. It has turned out to be surprisingly and annoyingly difficult to make this happen, but we have the technology…

This is offered to the general public with the usual caveat that it was written far too hastily while trying to do too many other things at the same time, and so it would have been much better if delivered in different circumstances; and the slightly less usual caveats that (1) it was recorded from the very top of a rather weird, extremely precipitous lecture theatre, which is why you mostly see the top of my head from a steep angle, and (2) my watch was ever so slightly slow, so my brilliant timing actually meant that the recording cuts off literally seconds before the end. (more…)

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How does our knowledge of classical antiquity relate to the present and its problems? How do we as classicists – to address at least a subset of my readers – engage with the world through our knowledge of the classical past, or is our chosen field of activity precisely a means of not engaging with the world?  (more…)

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Courtesy of my colleague Richard Flower, another Thucydides reference in an unexpected context: the autobiography of Tom Baker, the fourth Doctor, Who on Earth is Tom Baker?, looking back to his childhood activity as a bookie’s runner.

Because the process of taking bets, or making a book, was illegal, the system of identifying betting slips was important. How to identify the winner of a bet? The punter couldn’t put his real name on the slip for fear that the police might raid the premises, find the slips and fine the gambler. This risk was avoided by a system of noms de plumes… One disgraced classicist used Thucydides which caused pronunciation problems back at base. The accepted explanation was that Thucydides was Turkish for nancy boy.

How did he know that the classicist was “disgraced” – specific knowledge, or simply the assumption that no respectable one would sink to gambling? How touching…

 

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Full of future thoughts and thrills… Published in last week’s The New European.

Europe was invented, or at least first defined, by the ancient Greeks. In the sixth century BCE, geographers like Anaximander and Hecataeus imagined the world divided between Europe, Asia and Libya Africa; their successor Herodotus turned this division into a great historical drama with the confrontation between the Persian Empire, rulers of Asia, and the heroic little Greeks at Thermopylae, Marathon and Salamis. (more…)

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Will the people of the future still be reading classical literature and thinking about ancient exempla – and, if so, in what ways? This isn’t a topic that gets a great deal of attention in science fiction; I’m not thinking of the sorts of books that imagine a new Roman Empire with spaceships (see this list – the Trigan Empire lives!) or which deploy classical motifs as a key plot element (hello BSG) but rather those that try to imagine the world of the future in its own terms, but take the time to mention whether anyone still references Thucydides. (more…)

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