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Posts Tagged ‘teaching’

(I Don’t Want A) Photograph

Many years ago, with my ‘faculty teaching quality assurance’ hat on, I had to go and observe a lecture as several students in the class had complained that the lecturer’s presentations were heavily plagiarised. This seemed an entirely bizarre and improbable accusation, but they were insistent and credible – and it did indeed turn out to be the case; it wasn’t just that large chunks of text from scholarly publications were included on the PowerPoint slides without any attribution, but these passages, and associated material that wasn’t posted on the slides, were read out word for word without any indication that these weren’t the lecturer’s own words. I don’t know how the students had first twigged this, but once you have that sort of suspicion, it was incredibly easy just to google a few phrases and identify the source. (more…)

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It’s that time of year again, when I look back over the previous twelve months of blogging and wonder why I bother. Levels of interest and engagement, on every single measure, continue their inexorable decline – the fact that it’s only a 20-25% fall from the already-feeble figures of 2021 is due almost entirely to December, with the combination of my regular Blogs of the Year post piggy-backing on other people’s talent and popularity and a bit of gratuitous snark about #Receptiogate (now removed after a take-down notice from the alpaca whose image I used without permission). Maybe the blog post as a genre will make a come-back as a result of the immolation of Twitter; more plausibly, I should be thinking about how to re-tool my prolix ramblings for the world of TikTok… (more…)

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I was reminded this week that the great Cliff Orwin once ran a seminar comparing Jewish and non-Jewish political thought – Herodotus and the Book of Esther – which included in the rubric: ‘The class motto is that of the Oregon Trail: the cowards never started, the weak perished along the way’. (I actually recalled this as ‘fall behind and get eaten by wolves’; similar sentiment…). I cannot help but admire this, while at the same time my own teaching philosophy is that offered by an French Alpine guide, an old friend of my parents: ‘You go at the pace of the slowest member of the party’.* Make sure people don’t get abandoned to the academic equivalent of hyperthermia, modify your goals if necessary, always have escape routes and alternative plans in mind, and always be prepared to change speed. (more…)

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Ch-ch-ch-changes

I have long had an interest in varying forms of assessment, besides or instead of the conventional types of essays and unseen exams; I’ve experimented at various times with journals, blogs, different sorts of research tasks, online engagement, Wikipedia editing, group projects and probably a few other things. I think more or less all the stuff I’ve written on this has disappeared, with the demise of the various resource sites or organisations who published them (at any rate I’ve given up trying to update the URLs; tl;dr, students are generally massively resistant to anything new as they don’t know how to do well…), but I can demonstrate their past existence. All of this is of course intended to establish my credentials as thoughtful, innovative and even radical in this area – because suddenly I am confronted with something that makes me feel oddly reactionary and resistant: the idea that students should be offered a choice of forms of assessment. 

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We’re back in the season of lecture fetishism. ‘Workshy’ lecturers are being ‘ordered’ back into the classroom to provide ‘proper’ value-for-money education rather than cut-price online stuff, while apparently the university life of a Times‘ columnist’s offspring would be ruined by having too much online learning. What’s striking is how far their conception of what should be restored is the sort of lecture that went out of fashion, at least outside basic introductory courses in the hard sciences, decades ago: to quote the old joke, the lecture as a means of transferring information from the lecturer’s notes to the student’s notes without passing through the brains of either. And, as I commented last week, some of the defences of the shift to online learning are equally ignorant of what actually happens in lecture rooms these days. It really feels like a debate about the current state of popular music between adherents of 7″ flexidiscs and proponents of cassette singles; not just total indifference to the content (hey, maybe someone should suggest to the Times that it’s easier to promote decolonisation and cultural Marxism in in-person classes where there are no recordings…) but utter ignorance of how technology and techniques have changed, and what the real issues are. (more…)

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I’ve spent a fair amount of time recently preparing next term’s teaching – it’s been one of those weeks when the lingering effects of the plague make me incapable of stringing coherent thoughts together for more than five minutes at a time, and the better prepared I am for the new academic year then the bigger the chance I may be able to get writing done then, if the brain finds its way out of the doldrums. Bibliographies, guidance on assessment tasks, seminar texts, thumbnail pictures for the VLE. And then we come to the description of teaching and learning methods, and summary of how students will be expected to engage with the modules… Hmm. Can I get back to you on that? (more…)

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I am feeling tired and useless and miserable, and my nose hurts. The latter is due to being swiped by Olga, who took exception to being removed from the study windowsill where she was happily watching birds; the rest is seriously over-determined, but at least one contributing factor is the effort of trying to take on board the feedback on my latest bit of jazz composition. All this term we’ve been working on a piece based, however loosely, on rhythm changes [note for non-jazz people: the basic structure of George Gershwin’s I Got Rhythm, which formed the basis for numerous other compositions, especially in the bebop era, and interminable jam sessions]. I’ve been struggling to develop something that doesn’t just sound like a pastiche of Charlie Parker or Duke Ellington – there simply don’t seem to be many models for more contemporary rhythm changes, apart from Thelonius Monk, and if you follow that you just sound like second-rate Monk – but had written something that I thought was actually interesting and with a strong melody line. So it was a little disheartening – getting close attention from the tutor is always a double-edged sword – to be told that, while the rhythm is interesting and the bass line is good, and the melody has a good rhythm, my note choices are much too nice and safe, and by implication boring. (more…)

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About twenty years ago, I would guess, I started writing Theories, Models and Concepts in Ancient History. I had two main motives – or three, if you count the fact that I was supposed to be writing a book about ancient trade and had absolutely no idea what to say about it. Firstly, I wanted to write it for my students; I’d by now been teaching an ‘Approaches to Ancient History’ course for five years, which I’d stealthily reorientated in directions that suited my interests and intellectual commitments, and I was somewhat conscious of the lack of accessible introductory reading. Writing a suitable book myself seemed preferable to changing the module topics back to the previous version – and it offered the possibility of a kind of primitive flipped classroom, insofar as if everyone read the relevant sections of the book we could focus on debates, issues and freeform discussion, rather than having to devote lots of class time to covering the basics of the topic. (more…)

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Here we go again… The return of lockdown brings some very familiar feelings: relief that what seemed like pessimism in early December (stocking up on cat food and soya milk in anticipation of possible Brexit disruption, deciding to stick with entirely electronic reading lists although students were asking about hard copies of stuff in the library) has left me in a better position than I might have been, frustration and uncertainty about how to modify teaching plans again. This term should have been easier (and maybe still will be) as we’ve all got better at the different elements of online learning, not least by working out which ones aren’t worth bothering with. However, someone somewhere was obviously feeling optimistic at a critical moment, and so we’re currently scheduled to have less recorded and asynchronous stuff and more face-to-face time in any given module – although the latter will now be online for most if not all the term. A more precautionary approach would have been to assume that we’d be lucky if we could just carry on in the way we have been, but no… (more…)

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The Masterplan

I think it’s only appropriate to round off my blogging year – apart from the usual annual review, and unless something else strikes me in the meantime – with a final reflection on teaching inspired by my jazz composition course, which has been the one unquestionably positive experience in this basically rubbish year. This time it’s not about online learning and teaching, but a more general thought about managing seminars; and it’s inspired not by the tutor, but by conversation with other students on the discussion thread where we posted our homework exercises for comment (stifles deep sigh at total failure to get any sort of online discussion going in any of my modules this past term…). (more…)

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