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Posts Tagged ‘technology’

Torn

Nothing’s right… Yes, there are times when I spend almost as much time deciding on a suitable music-referencing title for a blog post as I do actually writing the thing. The optimistic version would have been some variant on the famous line from Leonard Cohen’s Anthem: “There is a crack in everything…” But, while it does indeed let some light in, it is potentially the sort of crack that calls for urgent applications of superglue before the whole thing falls apart. Everything’s Ruined? Perhaps a little premature. Changes? Certainly.

Yes, I’m thinking of the plague and its aftermath (more…)

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I am not, I would like to think, an unreasonable Luddite. I suppose it could be said that what I am is at best inconsistent; sometimes not a Luddite at all, indeed sometimes the sort of middle-aged man who desperately strives to keep up with odd bits of the technological Zeitgeist, enjoying catch-up TV while wondering what happened to car CD players, and sometimes an entirely reasonable Luddite. I can see, for example, why my favoured approach to constructing an index – creating a simple Word table by working methodically through page proofs, and then doing an A-Z sort – is clearly unsuited to the world of eBooks and online publication. And so I didn’t whine too much when asked to provide a list of index terms when submitting the manuscript of a forthcoming edited volume. (more…)

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We’re back in the season of lecture fetishism. ‘Workshy’ lecturers are being ‘ordered’ back into the classroom to provide ‘proper’ value-for-money education rather than cut-price online stuff, while apparently the university life of a Times‘ columnist’s offspring would be ruined by having too much online learning. What’s striking is how far their conception of what should be restored is the sort of lecture that went out of fashion, at least outside basic introductory courses in the hard sciences, decades ago: to quote the old joke, the lecture as a means of transferring information from the lecturer’s notes to the student’s notes without passing through the brains of either. And, as I commented last week, some of the defences of the shift to online learning are equally ignorant of what actually happens in lecture rooms these days. It really feels like a debate about the current state of popular music between adherents of 7″ flexidiscs and proponents of cassette singles; not just total indifference to the content (hey, maybe someone should suggest to the Times that it’s easier to promote decolonisation and cultural Marxism in in-person classes where there are no recordings…) but utter ignorance of how technology and techniques have changed, and what the real issues are. (more…)

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One of the things I always do in the Christmas vacation is catch up on the year’s music that I’ve missed. Partly it’s a matter of having a little bit more leisure to try out the unfamiliar, that might throw me off my stride or drive me up the wall, rather than sticking to things that I know will relax me or offer a suitable background for lecture prep or marking. Partly, though, it’s because of the End of Year lists – not so much those of the mainstream press, but something like The Spill, for its random eclecticism and the fact that I know that if contributor X likes something then it is at least worth a listen. It’s how the Spotify algorithm ought to work: a selection of people from across the globe with very different tastes, just presenting what they thought was great. Especially this year, when my involvement in composition classes means I’ve been listening to much more jazz and much less of anything else, this is invaluable in giving me a sense of what else is out there. (And I now have some new marking music – strong recommendation for the latest album from Ulrike Haage, not to mention her soundtrack to the recent Berlin 1945 series).)

And that is what I aim to do with this post every year: (more…)

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There are basically two kinds of opinion piece on the place of technology in higher education. A: anything which potentially distracts students’ attention from my dispensing of Truth in the time-honoured manner must be banished! Down with laptops, mobile phones and ballpoint pens! B: get with the programme, daddio! All the hip youth is on TikTok now so we must convert our mouldy old lectures into 15-second dance clips! (more…)

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It’s possible that some people reading this will remember the Grauniad‘s ‘Readers Recommend’ music blog. The set-up was simple; every week, the writer in charge of it would set a theme – ‘Songs About the Sea’, for example – and people would comment on the blog with their recommendations, arguing both from quality of music and relevance to theme (and occasionally sheer brass neck; I once got Roxy Music’s Avalon accepted as a pick for ‘Songs About Myth’ through an elaborate structuralist analysis that showed the lyrics really were a deep engagement with the Arthurian legend, references to samba notwithstanding), (more…)

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The Outrage Machine

Victor Davis Hanson is at it again… “It’s fun to celebrate Sparta, but let’s look deeper,” he declares in The National Review. “There are so many lessons we can learn from the Greco-Roman city-state, especially from those who ran it.” So far so boilerplate – I’m not sure whether he’s directly responding to recent articles by Myke Cole and Nick Burns in The New Republic. Then it gets weird: “The main ideology of Sparta was that all men should be educated as scholars… Homer wrote that the culture wars are never ended. However, so long as our educational system leaves millions of young men without the basic technical know-how to wage war, the cult of arms continues to roam the Earth…”

Okay, it’s not actually VDH (more…)

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So it turns out that the best way to revive the blog viewing statistics and get some discussion going, at least temporarily, is a post on the decline of blogging and the absence of discussion… Thanks to everyone who read and commented; yes, the numbers are sliding back to their old level already, but it’s good to know that there are people out there still committed to this genre (and I still maintain that it’s a distinctive genre, certainly from the perspective of a writer, whatever @rogueclassicist thinks…). In the meantime…

In the meantime, I try to work out why WordPress won’t let me embed an embeddable player… In the interim, this will have to do:

(more…)

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I’ve just published a piece in Epoiesen, the fantastic online journal for creative engagements with history and archaeology, on the Melian Dilemma game and some of the thinking behind it. I’ve been meaning to get round to this for ages – and I’ve been given extra reason to regret not getting my act together sooner, as my fate now is to be completely overshadowed by Assemblage Theory, the brilliant contribution by Andrew Reinhard, published a few days earlier, on his latest musical experiments: exploring different conceptions of the idea of ‘assemblage’ by producing new songs using ‘found sounds’. Go read, go listen. If this piece doesn’t single-handedly exemplify why a journal of wacky historical creativity is an absolute necessity, you are beyond saving. (more…)

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One of the incidental benefits of researching the piece I’m currently trying to finish, exploring my attempt at turning the Melian Dialogue into a ‘choose your own adventure’ game, has been the discovery (courtesy of an article by Shawn Graham) of the concept of the ‘creepy treehouse’. To quote a definition from Jared M. Stein (cited from this blog, as the original page seems to have disappeared from the internet and links are broken):

Any institutionally-created, operated, or controlled environment in which participants are lured in either by mimicking pre-existing open or naturally formed environments, or by force, through a system of punishments or rewards. Such institutional environments are often seen as more artificial in their construction and usage, and typically compete with pre-existing systems, environments, or applications. Creepy treehouses also have an aspect of closed-ness, where activity within is hidden from the outside world, and may not be easily transferred from the environment by the participants.

A concrete example: the blog or discussion board facilities on Blackboard and similar Virtual Learning Environments. We look at these and see a useful tool for our teaching, encouraging students to engage with the topic and with each other outside class, hoping to draw on the fact that they allegedly spend all their time online anyway; they see somewhere that is trying to look welcoming and familiar but isn’t, because they didn’t build it, and so at best this is a bit creepy, and most likely it’s some sort of trap… (more…)

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